Turner While PJ and I were in London earlier this month, we visited the Tate Britain, a museum dedicated to British art from 1500 to the present. I was especially keen on seeing the museum’s exhibition of watercolors by J.M.W. Turner (1775-1851). This is his 1798 self portrait to the right.

Part of the Turner exhibit was curated by David Hockney, himself a great watercolorist. The “Hockney on Turner Watercolours” exhibit features placards written by Hockney that express his opinions of Turner’s art, technique, etc. I first fell in love with Hockney’s work when I was a budding homosexual as an undergraduate at Texas A&M University. While in the same medium, Hockney’s work is so different from Turner’s that reading the former’s thoughts on the latter seemed like a very interesting prospect indeed. Here’s the kind of work Hockney does:


Based on this example, I’m sure anyone can see why a burgeoning homosexual might find Hockney’s work enjoyable! But I will also point out that I moved beyond the overtly sexual paintings and found myself enjoying Hockney’s larger oeuvre as well. So, I was excited that an artist I really like was going to comment on an artist that I had seen billed as one of England’s great masters.

While Hockney’s commentary was interesting, it wasn’t the aspect of the Tate Britain’s Turner collection that most impressed me. I’ll discuss what I liked about the exhibit after the jump.