Academic Homophobia? Friday, May 2 2008 

I should be cleaning up the house in anticipation of PJ’s arrival back home tomorrow, but I just came from a department meeting that’s left me really depressed. While writing about it on my blog is probably not the best idea, I need an outlet for what I’m feeling and thinking; otherwise, I’m just going to sit here and stew until I make myself a martini.

Here’s the thing: I actually don’t think my colleagues are homophobic in any sort of intentional or active way, but I think they might very well be intellectually homophobic, by which I mean prejudiced against queer work and teaching.

English departments are supposed to be so progressive and liberal. At least that’s what we’re told all the time. Right? We’re a bunch of lefties. In my experience here this is only true in the sense that my department and university doesn’t actively discriminate against GLBT people. But they don’t acknowledge our importance or value our presence either. Too often “liberal” just means ignoring difference, whether it be sexual, gender, racial, religious, etc. And ignoring difference causes problems.

First off, this meeting convinces me that my colleagues are simply blind to the relatively large number of GLBT students we have in our undergraduate major and graduate programs. It really makes me wonder how our students experience our classes. No wonder they’re so hungry for my Lesbian & Gay Lit course — it might very well be the only time they have a class that acknowledges sexual difference in any meaningful way. I often hear that it’s definitely one of the very few classes that actually values sexual difference (which is why I feel so guilty about taking a break from teaching it next year).

Second, while my department at least pays real lip service to racial difference, we’re terrible when it comes to GLBT issues. For example, as we discussed hiring priorities today, it seemed perfectly acceptable to everyone that we could combine a position in 20th-Century British Literature with Post-Colonial Theory, since, and I’m almost quoting here, almost anyone working the 20thC could be assumed to also work in Post-Colonial Theory and Literatures. My colleagues can’t image a good candidate in 20thC British Lit who didn’t also work, to some degree, in P-C Theory.

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What I’m Listening To: Queer Music Saturday, Feb 16 2008 

Since the beginning of the year, I’ve been listening to a series of gay and lesbian musicians. Back in November, I started listening to Cazwell. I loved the queerness of his record so much that it made me want to seek our other gay artists and get a greater sense of what’s going on in gay and lesbian music.

I immediately found two sources to begin exploring: Youtube and Logo. Logo’s series “New Now Next” and online site “The Click List” is a great source for finding gay and lesbian music videos. One of the musicians I first saw on Logo was Adam Joseph. Initially, I didn’t care much for his video, “Flow with My Soul:”

I’m not totally sure why I wasn’t into it at first, but I think it might have had something to do with the video’s attempts at some sort of urban street look. It just seemed a little too posed for me. But then I came across another video by Joseph, “Faggoty Attention:”

I have to say that I immediately loved this video’s blatant sexuality, its queerness. This has to be the queerest video I’ve ever seen. I love it! It’s so cheeky and fun. I like that it’s playing off of the straight male fantasy/fear of gay men coming onto them while playing off the gay male fantasy of seducing the hot straight guy. Plus the lyrics are just hilarious. This is now the song that I walk around singing in my head all day long!

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Teaching with “Queer” Journals Sunday, Jan 27 2008 

Today I graded my undergraduate students’ queer notebooks, a new assignment that I’m experimenting with. Last quarter, I had my eighteenth-century students compile a commonplace book (and my graduate students are doing that assignment this quarter), but I didn’t think that would quite work in the Lesbian & Gay Lit class.

Over the summer, I visited a colleague’s class to observe her teaching. She used a very effective notebook assignment in that class, so I asked her if I could steal it this term. So, I adapted her assignment for my class.

The goal of this assignment is to give my students a place to demonstrate that they are engaging in an ongoing process of thinking carefully, critically, and personally about issues of sexuality raised by the literary works we study, our class discussions, and the world around them.

I require them to prepare at least two substantive entries in their journal each week. I want them to show their processing of what we have read, studied, and shared. I’m interested in what speaks to them and how it speaks to them. (That conjures images of ghosts or something interrupting their studying!) I’m interesting in having them record their thoughts, feelings, and emotions—whatever it is that helps them move from inert to alive, passive to active, bored to interested. They can share their thoughts in essay or other forms, as long as they make sure to review aspects of class discussion. This journal is also a place for them to agree or disagree with their classmates’ contributions to class discussion if they don’t feel comfortable speaking up in class.

I’m trying to assign them one required entry each week. One week, for example, they had to compare two scenes in Larry Duplechan’s Blackbird. In each scene, the main character has sex with someone else. The first scene depicts his sleeping with a girl; the second shows him having sex with a boy for the first time. I specifically wanted my students to examine how Duplechan uses language to describe each event and then draw some conclusions about his attitudes towards each. This week they’ll have to write about a poem by Paul Monette and compare it to the last section of Borrowed Time that we’ll also read for Wednesday’s class.

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National Coming Out Day Thursday, Oct 11 2007 

Today is National Coming Out Day, a day in which closeted gays and lesbians are encouraged to come out and in which lesbians and gays who are already out celebrate our visibility and self-actualization. It’s also a day to reflect on the fact that coming out is a constantly repeated activity for us gays and lesbians — we come out in all kinds of ways on a daily basis.

I was 23 when I started to came out to my friends and family. Here’s a picture of me that was taken at the same time that I was coming out:

Me at 23

Before I get to the coming out part, let’s stop and say a couple of things about this picture. First, I can’t believe I was so skinny — no wonder everyone thought I was still in high school! At the time, looking like I was 15 was really irritating; I was in my second year of graduate school when this was taken. Second, this picture makes me realize that, while I’m no longer a skinny little twink, I haven’t really lost that much hair since then (yippee!). Apparently, I’ve always had a receded hairline and “baby fine hair,” as my hairstylist calls it. This realization feels me with relief!

Back to the gay part. The guy in this picture was, as we’ve already partly established, a graduate student at Texas A&M University who was earning a Master’s Degree in English literature. He had just bought his first car, a cherry red 1993 Hyundai Excel. He was taking two seminars: one on Milton and one on non-dramatic Renaissance literature. He probably would have described himself as a devout Christian; he definitely attended church weekly.

And he was in the throes of his first serious crush on another man, another graduate student, Sam, a queer Ph.D. student in the English Department. I had had a class with Sam the previous Spring Quarter. The class was boring as hell, so I entertained myself by surreptitiously starring at Sam, who would beautifully (and somewhat dramatically) remove his glasses during class and gesture with them as he talked. But I’m pretty sure I never talked to him that term. I definitely wasn’t ready to come out then.

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April 15 Sunday, Apr 15 2007 

Today is a very special anniversary for me. It was 13 years ago today that my life was turned upside down by what, in effect, became an unintentional date. That evening permanently reshaped my life, my perspective on the world, and my understanding of my sexuality. I crossed a threshold into a world of academic conversation, queer cultural history, and adult romance.

To sum up, I had agreed to house-sit for someone for the month of June, and he invited me over for dinner that night to look around his house, receive instructions, and see if I had any questions.

While he made dinner — Cornish game hens for the main course — we chatted and listened to some of cds. He introduced me to Michael Callen and the Flirtations, a campy gay a cappella group. Their music wasn’t great, but it meant so much to me to hear this sort of campy, queer fun. Here’s a Youtube clip of Michael Callen, who died of AIDS in 1993, singing “Where the Boys Are” (it’s not a great clip — the image and the audio are out of sync — but I think it gives a taste of what he and the Flirts were like):

My introduction to this queer fun was therefore “always already” affected by the AIDS crisis. Now I’m struck by how much we’ve lost because of AIDS. How much talent, music, and plain ol’ queer fun we’ve lost. So many men who loved and were loved. So many men that those of us who came after will never know (of course we’ll never know them — that sounds so stupid — but I hope you get what I mean).

Near the end of Larry Kramer’s Faggots, the protagonist, Fred Lemish, is walking on the beach looking at the other gay men assembled there. He thinks:

The beach is filled with all my friends. All dressed in white. A huge white billowing tent awaits us. Someone is giving a Dawn Party. A Welcome the New Day Party. Strawberries and white wine and chocolate-chip cookies. All my friends. All sitting on the sand. Arms around each other. Touching. Holding. … Sharing this moment. No one speaking.

Yes, all my friends are here. … All this beauty. Such narcotic beauty. (361).

Whenever I teach this passage, I’m reminded of the end of Longtime Companion when Campbell Scott and some of the other characters are walking on the beach and see a parade of men who have died as a result of the AIDS virus. Maybe because I don’t personally know anyone who’s HIV+ or who’s died of AIDS that I have this particular response. But in remembering my first introduction to Callen and the Flirtations I’m struck by how much beauty has been lost. Such narcotic beauty.

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Gay Sex in the 70s: A Review Monday, Apr 2 2007 

Today in class I showed the documentary Gay Sex in the 70s. It’s a great, if pretty graphic, documentary about gay male sex in New York City in the 1970s. It combines images from the 1970s — private photos, clips from films (porn and non-porn), etc — and interviews with men (and one woman) who lived through the gay 70s NYC scene. Here’s a clip/trailer:

I really like this documentary. What I love most about it is its putting a face to the 70s. While I lived through them, I was a just a babe then, and none of my students were even born in that decade, so we need a human face, a mediator, to explain what it was like to be there. A short film that I sometimes show my class is about a gay guy in the 90s who is magically transported back to the 70s every time he puts on a pair of shoes handed down to him from a friend (his uncle?) who died of AIDS. These shoes allow him to come out of his shell and “get to know” the guy he has a crush on. For me, this short gets to my generation’s complex feelings about the 70s. Some of us are jealous of the “free love” and liberation of that time period, but we’re also conflicted about it since we know what comes afterwards. “We” yearn for the sense of community that this period aspired to, but we also know that this community was ultimately forged through great suffering and death.

Gay Sex in the 70s captures the joy and brotherhood of the gay community in the 70s as well as the coming pain and death of the 80s. It shows us the idealism, the naiveté, and the downsides of this culture. And I like that it sets my class up for reading Larry Kramer’s Faggots, one of my favorite books to teach.

Gay Sex in the 70sEvery time I see this documentary, I’m also reminded just how sexy the 70s were! To the left is a picture from the documentary’s press packet. The 70s look is just hot.The short shorts. The tight bodies that aren’t overly worked out at the gym, but rather have a more natural muscularity. The jeans. The mustaches. Crew socks. Shaggy hair. Maybe I just have some sort of irrational affection for the 70s look left over from my budding gay childhood or something, but I definitely think it’s THE hottest look. This documentary is, of course, full of images of 70s men — what’s not to love?!

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The Cockettes: A Review Wednesday, Mar 28 2007 

Since enough copies of Stone Butch Blues haven’t come in yet at the local bookstores, I had to rearrange our reading in the Lesbian & Gay Lit class for the first few weeks. Since I didn’t think I could spring a reading on them at the last minute (more or less), today we watched the documentary on The Cockettes rather than read a text.

The documentary recounts the rise and demise of the Cockettes, a hippie/acid freak/queer theatrical troupe from the late 1960s and early 1970s in San Francisco. I didn’t show it in class last year, but I did show it a couple of times before that. What I like about it in relation to my class is its illustration that the Stonewall Riots, while incredibly important in queer history, were not in fact the only show in town in the late ’60s.

Hibiscus The Cockettes were led, at least for a time, by Hibiscus, shown here. They were known for their outrageous form of drag — outrageous in part because of their combination of male facial hair (in some cases), feminine clothing, and (arguably) excessive glitter. As one member of the group explains, whatever someone was doing the others would call for more. If you had one shirt on, why not five more? If you had some glitter, why not a lot of glitter. In many ways, this summarizes the whole Cockette lifestyle.

It’s a great documentary. It follows a relatively predictable narrative: formation of the group, the group’s zenith, its demise, and the aftermath. It intersplices interviews with the surviving members with images and footage from the group’s performances. It also focuses on a lot more than just sex or drugs. We see parts of some of the performances. The movie also explains who people in the late 1960s were able to survive in communes (welfare, in most cases). And it shows the effects of Ronald Reagan’s cutting of state programs that many artists used to subsist.

Whenever I watch it, I start to regret that this sort of queer community and action doesn’t seem possible today. While some aspects of the era’s culture are probably not quite as attractive today (promiscuous, unsafe sex and hard drug use, for example), one (I) can’t help but be a little jealous of the love, the excitement, and the energy created by this family/community. I suppose I see Shortbus as the fictional heir to this kind of queer community, one that includes everybody — gays, straights, transpeople, bisexuals, and anybody else that wants to come along.

And maybe someday I’ll be brave enough to dress as a Cockette for Halloween or something! It will be a pale imitation, but perhaps a liberating one nevertheless. In the meantime, I highly recommend The Cockettes. It’s a very entertaining documentary.

Can You Be a Voyeur If You’re Narcissistic? Wednesday, Jan 17 2007 

Note: Parts of this post have been substantially altered since it’s original publication — my continued thinking on this topic ultimately led to a different conclusion and an epiphany.

As the faculty advisor for Open Doors, OU’s undergraduate GLBTAQQT (gay, lesbian, bisexual, transgendered, ally, queer, questioning, and two-spirited) student union, I attend a couple of the group’s weekly meetings each quarter. Let me say up front that it’s always kind of weird being there: Here I am a 36-year-old professor sitting in a room of mostly 19- and 20-year-old undergraduates — we don’t have a lot in common. Add to that my general shyness and social awkwardness, and we have a generally weird situation. Just to put things in the proper perspective: at least technically, I’m old enough to be most of these undergrads’ father.

So, as I was saying, it’s always a little weird for me to be sitting there mostly listening to their conversations. My weirdest experience was last quarter. Each meeting is divided into announcements and then a discussion; one particular discussion involved a somewhat humorous conversation among the undergraduates about “relationships,” which quickly devolved into a series of sexual revelations: one student talked all about only being a top, another talked about only being a bottom, etc. The more explicit their conversation became, the less comfortable I felt being there, especially since I think the ones saying these things seem so naive and inexperienced. Like most people in their early twenties, they talk as if they’re adults, but I’m increasingly convinced that true adulthood doesn’t start until you’re in your forties (or maybe even later — I’ll let you know when I get there).

Partly, my sense of the weirdness comes from my fear that they’re all wondering who I am sitting there listening to them. While I certainly enjoy the gossipy qualities of the meetings — and I do cyberstalk my favorite former students on facebook (generally with their knowledge and permission) — I worry that in the Open Doors meetings I will come across as some sort of voyeur, which is not at all how I feel while I’m there. Mostly, I’m thankful for my age, experience, and (just to sound completely old) wisdom. I really don’t see how older men can find twinks sustainably attractive. (Not that there’s anything wrong with twinks — we were all twinks before we got old and married!)

The meetings begin with an ice breaker question. Tonight’s question was, what would your superhero name be and what superhero power would you have if you could have one? As usual, I had no idea what to say. If I say anything that could even remotely be turned into a sexual thing, I’ll end up embarrassed and full of all the fears mentioned above. If I say something totally boring, I look like an old professor and therefore evoke all of the fears mentioned above. It’s a can’t win situation in my mind. So, imagine my horror when the most precocious of the undergrads (who’s never had a class with me, btw) turns to me and says that he knows what my superpower would be: the ability to be invisible and walk through walls so that I could spy on my students; my name, he declares, would be “The Voyeur!”

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What Do I Want to Be When I Grow Up? Tuesday, Nov 21 2006 

Recently, I started reading Wayne Hoffman’s novel, Hard. Since I haven’t finished it yet, I don’t want to review it or even write too much about it now. But it’s raised a couple of issues for me that I thought I’d record and reflect on here.

The novel is (partly) about Moe Pearlman, a New Yorker who is on a crusade to preserve his right/opportunity to engage in promiscuous sex in various venues as a conservative mayor (in league with another crusading gay man) works to shut down all of the bathhouses, sex clubs, and adult theaters where Moe indulges his desires. So, in sum, it’s a book about the ethics of gay sexual freedom in an age where AIDS still exists but in which its power to frighten gay men and restrict their sexual activities seems to have waned.

My first thought about the book is how it obviously responds to Larry Kramer’s Faggots, a 1978 novel that criticizes 1970s gay male promiscuity. Even a cursory search demonstrates that Kramer has a vexed reputation in the gay community. He is often dimissed as simply anti-sex. In reviewing Hard, Christopher Bram explicitly compares these two novels and repeats the usual criticism of Kramer and his novel. I have to admit that I love Faggots and now teach it annually in my GLBT Lit course. It’s definitely not a simple novel, nor is it simply anti-sex, in my opinion.

Thinking about the relationship between these two novels made me think about teaching Hoffman’s novel as a response to Kramer’s. I think these two books would work well together, with Angels in America spliced in between. Teaching these three works together would raise interesting issues about sexual freedom, responsibility, relationships, and AIDS, just to name a few. The biggest drawback might be that each of these works is a little long, so it might become difficult to schedule them without taking time away from the lesbian authors I’d also want to teach in the class. (But that’s not an issue I have to think about now.)

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