It’s been nearly a year since I had a hottie of the month, my tongue-in-cheek homage to men and women from the long eighteenth century. The lack of “hotties” has largely been due to the fact that I haven’t been teaching (or even researching) in the eighteenth century lately. Now that I’m a dean, I’m not teaching as much, on the one hand, and I don’t have much time for writing, on the other.

But I think it’s time to get back to my blogging roots. When I started this blog, it was mostly about my teaching and research. Over time it’s become more pop culture centered. While I’m still going to write about movies, music, and other random aspects of my life and opinions, I also want to write about eighteenth-century subjects. So, I’ve decided to revive the hottie of the month feature!

This month’s hottie is the eighteenth-century Italian sculptor Antonio Canova. While PJ and I were in Italy last summer, I fell in love with sculpture in a way that I had never been before. I was especially drawn to Bernini’s work at the Borghese Gallery. Canova also has a prominent work at the Borghese: a statue of Pauline Bonaparte:

As this image suggests, Canova’s ability to suggest drapery in this statue is amazing. It’s even better in person. The cushion she’s sitting on and the “fabric” on the side of the piece both make you feel like you could reach out and feel their softness.

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